tuccillo joins delusions of grandeur for their forth release turning in two tracks of funk injected house that will work wonders on the dancefloor. hot from his releases with willie graff on freerange, circus company, drumpoet and liebe*detail, the ibizan producer delivers once again with a release that will put him firmly on the hype list for 2009. panorama is one of those tracks that will be played by djs right across the board and creates a killer vibe whether its at its original tempo of 118 or pitched right up for peak time action. the rolling beats, looped up guitar hit and siren synths create a mighty track that treads a familiar path but does so in such style that we challenge you not to get bitten by the bug. taken things in an altogether deeper, darker and more twisted direction with have switzerlands finest kalabrese taking care of the remix. his very capable hands and ears, not to mention vocal skills, have resulted in a warped, acidified excursion full of bottom end pressure and brilliant percussion. a real trip this one. finally, on the flip, we have tuccillos this time, taking things back into house territory with a funk filled workout that utilizes a pitched down vocal and horn stabs to great effect. that doesnt sound great on paper we know, but give it a listen cos it works a treat.

synapse is running wild on the new k7 release! 2 superb up-tempo tracks, which can best be described as gorgeously crunchy. the tracks are extremely energetic and will destroy every dance floor that meets their path. k7 continues spreading the roughness!
dj support: dj ruffneck, the dj producer, ophidian, daisy, endymion, tommyknocker, unexist

classic 1992 detroit techno by producers like kenny larkin, juan atkins, eddie fowlkes, dan curtin and more.

a-list partner for the a-side >trust<, berlin-relocated seth troxler from detroit, has been delivering countless bangers for crosstown rebels, spectral or wolf + lamb and forged quite a reputation for himself. seth brings freshness and freedom in his work as well as in his relationships with the girls! his edgy voice takes off on some sick rumbling percussions, and pairs up all along the track with mind twisting waves and swirling vibes to impulse a dizzying, thus delighting booty-shaking dance. loyal to the house tenets but frivolous with innovations this is straight out of the top drawer, trust us!no less rewarding, the tiefschwarz brothers hit the >roads< on the b-side. the opening steady beat is gradually driven by hypnotic keynotes to a darker path. break! the drums take the lead again, but still infected by the loop, the track goes on, and compels to an irresistible euphoria. far out! tiefschwarz step up once again with a must-have record, be ready for the next things to come!

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

apendics.shuffle’s elegance & malice ep has been reworked by two great talent’s the master of minimalism thomas melchior & ransom note’s adultnapper, both artists have expressed there interpretations to the highest order. adultnapper has taken a darker path, raw & steady drums keep you grounded whilst disassembled voices and eary strings make you realize things are going to get weird. there is a constant hook in the background that sounds like the noise of a sleeping monster but as it gets louder you know it’s about to wake and it does, throwing you backwards in a totally different direction. melchior’s remix takes you on a different journey one that you never want to end. lush melodic sound’s and stunning percussion with deep soulful vocals keep growing and growing drawing you ever nearer all the time never letting you go.

the runners are a new project by our man lukas who has been with dirt crew and players paradise from the beginning and his buddy kevin cook. both young and very talented producers who teamed up to drop some delicious deep house on the next dirt crew release. kevin just made the move to ibiza while bristol based lukas is very succesful in running his buoyancy parties over there. with >hot fun< and >woman pleaser< coming in two different deep mixes this ep is one for the house lovers, taking dirt crew more and more towards the soulfull and groovy path of the new house movement. to top things off we asked another rising star in the scene and one of our favourite producers at this moment jay shepheard (compost, diynamic, drumpoet community) who recently made the move from london to berlin. he delivers a great remix with a deep sub bass and a lush chord filled groove… you will love it

lithuanian producer paulius lincius (aka moon disco) presents his first vinyl release on the respected control tower label, run by the dexorcist & radioactive man, and shows a subtlety and deftness of touch that many more experienced producers would envy. treading the path of classic electro can be a dangerous game if the sounds arent just so, but fortunately paulius has been doing his homework and keeps it simple and clean. radioactive man offers up a remix that roughens things up a little bit and throws some datasette-esque sounds into the equation, but still keeps pretty close to the traditional electro blueprint. overall a strong release for those that prefer their beats and bass with a slightly nostalgic edge...

san soda only needed one very limited ep and one >full< release to get attention from all over the place. deep house music that is both rooted in the past and firmly aimed towards the future. for this fourth release on we play house recordings san gives us three more killer tracks from his vaults. the a-side brings us >doorsnee<, a track that already had people requesting a release when it was but in its infant days on his myspace. describing it is quite the task, because it kinda leaves the 4/4 path and still stays on it, it kinda floats but it still gets you screaming on the dance floor.

sub label from silicon square garden, on a definit disco not disco re edits path... great arrangements of classic tracks that will appeal to fans of dj harveys black cock series...

deepgroove aka grayson shipley & lee pattison from bristol have crafted their skills at venues like bristols seminal lakota, emerging with a sound that incorporates a hefty measure of eclecticism within a framework of deep and twisted tribal grooves. never fearing to tread a different path when it comes to firing a crowd, their performances marry a healthy degree of contempt for convention, to an obvious reverence for the original precepts of house music. using the 4-deck format, not as a tool for ostentatious displays of mixing prowess, but as a template for experimentation, deepgroove throw everything at the crowd, embarking on sonic voyages that range from the sultry to the surreal, with the funk never being too far from the surface. coming from a strong musical background growing up around jazz musicians in west london, jamie anderson also had a love for electronic music and the art of mixing records which has been with him ever since the early electro and hip hop days

la danse de l hibouthe fourth release with bucketround follows the path left by his past references, not disregarding the exploration of new horizons. oval future face (bucketround recs) grants us his peculiar way of understanding electronic music. avoiding the hype or settled guidelines la danse de l hibou brings us right in the middle of the night where nocturnal birds of prey hunt. we are in front of his deepest work so far, full of details and rhythmical shifts shrouded in minimal sound with its own soul... as if it was meant to be just for this work, it is apt for lounge listening, dancefloors or even forests. the re mixes collection does not fall short on quality: pablo bolivar (regular) as usual everything he touches turns into gold and this time pablo does not disappoint. nimble groove full of hectic changes and sudden pauses enriches this melodic remake. a real dancefloor hit. angel galan (add sensor) theres no rule for crafting remixes and angel is the clearest example. an amazing explosion of multicolor strokes transformed into tangled logic sound.

following on from 2006s debut lp path of the gods, arne weinbergs second album will take you on a musical passage from alpha to omega and demonstrate the diversion of arnes palette of sounds. too many modern techno albums feature just a collection of tracks with no real story to tell, arnes second album aims to be more than just that and pushes further the boundaries of modern techno music. from the dark and mystic feel of everlasting to the floor shaking grooves of nightstalker and eclectic spiral or the deep electro influenced ambience of synthetic dissection and with trembling hands this album has it all.

on rodz-konez #4 makaton leaves his industrial ways to find some organic influences. this time its up to harvey lane (house of god / spunky town resident) to follow the darker path in his remix.

unxplored beats is the sisterlabel of mark brooms pure plastic to release tracks that are off that 4/4-path. kruton brings us his definition of electro, remixed by midnight funk association and kold grease.

fast forward 2008. may be later bridges sound and mood from the summery and sublime to the dark and throbbing. while mars cello floats and warms, burdelia chugs somewhere between chicago and early nyc house. fade me in zips along with furious kink and dubious vox by dinkys longtime friend jorge gonzalez. seven 2 seven, when aimed at 8am berlin ravers, massive freak outs ensue. she is moving features minimal vocalist extraordinaire big bully, together they attain that vital equilibrium of naughty and nice. the album closes with mind, an electronic fusion moving, looming, eerie, and reassuring. may be later is an open door to ms. alejandra iglesias development exposing the path, connections, and influences that brought her here. the beach, nyc underground in all its flavors, berlin, the stage, detroit, electronic waves from all directions, chicago, mega-clubs, it is all here and it is all her own!! re-release !!

outstanding new release for the markantonios mkt record! the alter ego of neapolitan producer launches to the funky minimal world a new ep created by young roberto capuano, a guy coming from campania too. the track got you is really funny, a genre that should be defined clickyfunkytechhouse, with a bouncing beat and addition of sounds and voices like in a videogame. it appears more determined the track hoffnung: what are more striking are the restarts! really difficult to stand still listening it. instead evokes old style jackpot, but in his path wetsuit repeatedly, evolving in a track with modern and sought sounds and catchy melodies

unaffected by the hype, minimum syndicat follows his own path into true techno-rave territory. this time our special guest is the mighty deep & dark electro producer umwelt (satamile, kommando 6, drivecom...). he gave us a truly awesome techno masterpiece full of emotion, energy and nocturnal vibes. dark anthem for the underground...

alex bau aka basic implant says >only the hard ones!< and virgil enzinger is following that path. check it, its really real!

first vinyl pressing since the original 1988 royal records lp issue. started as a rumor, or more likely a threat, royal trux burst from the belly of nyc cum dc scum punks pussy galore in 1986. disinclined to follow the path of their host group, royal trux began the process of exploring their own identity, starting with recordings given to the end of music as we know it compilation. the idiosyncratic album offered skeletal projections of songs that betrayed a singular logic groomed on bizarre and previously unconnected realms of the rock canon.

nice price deal !!! the return of funkwerkstatt! spreegold ep brings you the follow up of their last years hit - windrose 2, a moog driven minimal groove teaming up with deep piano chords and sexy, female vocals. strike! of course the release comes along with phat remixes! number one by carlos sanches & dj ray - the newcomers from spain manage to place another attention-sign behind their already successful flexible ep (sfr18). rundfunk 3000, the second mix by kombinat 100, attempts to walk down the deep house path - detroit meets metro area

aesthetic audio continues down its chosen path to distribute deep , abstract and genre free, music that always challenges the status quo … the chronicles noir - aesthetic audio #006 consists of two exceptionally deep and abstract club bangers written and produced by deep dance architect tony lionni (u.k.) … pure abstract bliss for the deep underground aficionados!!!!!

next kd in line is by dj south, an amazing new talent on the scene. these tracks will fuck with your brain & feet. madness...kne deep is a&red by the one and only emperor of hard techno, dj rush. the next kd in line is by dj south, an amazing new talent on the scene. these tracks will fuck with your brain & feet. madness...

part 2/2 !! the second sampler includes two previously unreleased tracks by the lost men and salvatore freda & volta + fingers inc!

super way is a peaktime bigroom electrohouse anthem while one one goes the techy house path!!

evasive records welcomes to its fold bonns residing dutchman roland van den toorn (taboo recordings/topcats). with a solid catalogue of releases and remixes already under his belt, roland continues unwaveringly on the path to eminence. all three tracks on this ep showcase his unique and innovative production style, proving yet again he is the man to watch.

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

arctic monkeys were already massive way before they inked a deal with domino in june 2005. people obsessing over the songs? sold out gigs full of stage diving nutcases. hardcore fans pressed up against venue windows, just hoping to catch a glimpse such checkpoints have all been ticked. the boys may share a love of the smiths, the clash and the jam, but in no way were the monkeys ready to simply regurgitate the well trodden brit rock path.

the very best of chemical brothers !! limited edition 2xlp - push the button !

toronto’s trinidadian deep gives us this hot, new 3-tracker for ron trent’s future visions imprint. >yoruba path< is a typically deep and lush house excursion on the a while the b-side sees mr. trent himself on remix duties for the trinidadian deep original >what is it<

dark and dirty underground tech back in stock !! saw recordings 001

this new label from terrassa brings us a wide range of tracks - from electro to techno and everything in between - by artists hd substance, delon & dalcan, projekto hombre, and samba. played and charted by angel molina, savas pascalidis, and alexander robotnik.

caminos del nino means path of the child. this track is a yoruban prayer sung by husband and wife vocalist gonzalo chomat and iris sandra cepeda (orginally from cuba). caminos del nino has also been blessed by the percussion playing of alberto lopez (orginally from colombia). again, ican has turned to the hi tech skills of dan caballero for his mixing and editing techniques and sought out the remixing skills of hollands orlando voorn.last on the release is an addition to santiago salazars sucio beats series. sucio beat 2 is a straight dj tool designed for the dj, by a dj. caught up somewhere in between house and techno.

the nfat chemical brothers album >we are the night< !!

this time the re edit package is a split action between our man orestt, and mysterious (but pretty famous uk dj) man from soho... action comes in four tracks. orestt grants us with closer to the edge rerub in the form of haircut, originaly a uk disco no wave obscure 12inch, and giving love an 80s london classic. flip side sees man from soho going into rooter places with two winner cuts on a more afro meets southamerica path...

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

big with: laurent garnier, sarah main, chateau flight, ludovic rambaud, funk d void, kiko navarro, osunlade, tom findlay (groove armada), john digweed, quentin harris, chris duckenfield, will saul, yousef, c-rock, nacho marco, james flavour, stuart patterson, dan foat, ewan pearson, kaje (trackheadz), spirit catcher, rocco, jay tripwire, tristan da cunha, lewis dene, neil quigley, jc, dj qt, m.path.iq, harri, andy baxter, james grant, gareth sommerville, nico de ceglia

played by karotte, sebo k, shinedoes... >hamlin< leads us down a path so groovy, its hard to resist this dreamy tale from the very beginning. steady pushing drums define the tracks mood, amounting to a tactful combination of classic deep house vibes flowing freely against solid and functional percussive elements. drifting late night synths and childlike, ethereal chants osmose the mind of the listener, warming and arousing, spreading only positive energy on the dancefloor. deep vibes rec sascha dive takes hamlin off on his own trip, elegantly stripping down the groove of the original and spacing things out even further. this mix is a pure and prolonged snapshot of the orignals travelling mood, building the groove in subtler steps, emphasised by dives treatment of the chanting, spinning vocals and playful, live arrangement. opening with the same finely strung groove as >hamlin<, >snowflakes< introduces a beautiful and delicately dubbed melody amongst its bubbling rhythms

debut album on level w /sparkling electro

supportet by fred everything, prins thomas, funk d void, neil quigley, dj shade, scope, shane johnson, laurent garnier and many more.. whether you re a house head, disco head, or tech head, this release will move your dancefloor and make you smile. the original club mix is a sophisticated slice of electronic disco, with a big vocal singing some heavily sleazy words. for the tech-heads, two underground dubs provide the dirt. the dubfuck mix is an adrenaline-fuelled underground smasher - big with prins thomas, funk d’void and laurent garnier. the love on dub takes a smoother approach, following the same path as the original mix, but with the vocals cut away so that the music takes centre stage.

unearthly trance emerged from the nyc underground as a doom outfit and morphed into a distinct metallic beast on their new album electrocution. an epic, impassioned piece of work, electrocution oozes with mysticism and a palpable sense of purpose behind an imposing wall of gut level riffing, canyons of low end and pounding drums. unearthly trance give no quarter in their spiritual war and forges their own sonic path with the awe inspiring electrocution. unearthly trance has previously released two critically acclaimed full lengths on lee dorrians rise above records as well as a single on greg andersons southern lord records.

nice price deal !!! behold ear goodies from fjordfunk, with his hi quality sonic fishing fleet. the sounds of epic coldwater trawling can now be yours in the safety and comfort of your own adobe. the scampi disco scamp takes dancefloor analog melodic waves from the seas and oceans of tranquility, and then weaves the cosmogony of new record label, luna flicks, deftly and with the skill of loki himself into strangely solid beat nets to catch unwary listeners by the feet. with this, the first lunar orbit, we hear ovid 8 metamorphose into a post 9/11 poissonier. good lord, st. francis himself couldnt get the mackerel dancing so well (despite their lack of jiving feet)! an anthem for the pre apocalyse generation, spinning a woven path to dancefloor bliss and enlightenment. this is fjordfunk: hear him roar.

here gossip go off the beaten funky path to deliver a smashing main room houser that has some delicious old skool house style beats. flash brothers provide a simmering peak time remix.

fenou - the sublabel of mos ferry prod. for more experimental tracks between minimal and electronica leaves the path of releasing only minicompilations with fenou05. kadebostans >grand theatre e.p.< is an homage to fantastic voices from a distant place, as it seems. with his first ep on freude am tanzen he already showed that his music is a melange of longingly melodies, melancholic vocals and minimal instrumented electronics

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

budai and vic are amongst the most successful producers and djs from hungary. they met in 2000 and decided to produce and promote their music by their own. the results are two fine respected labels, international productions and support from the likes of cox, the timewriter, terry lee brown jr. ,or valentino kanzyani. after getting signed at plastic city they are on their way to the top of the hungarian dance scene. they present techhouse at a new stage and follow their own path of pleasure!

marbert rocel are composts latest signing. hailing from thuringia, germany, the are combining deep minimal house, electronica and jazz and with a great sense for pop music. you got to be patient when crossing marbert rocels path late at night or listening to one of their tracks because you will start thumping with your eyelashes until you see your whole body turning into a non stop wet wet wriggling - waterfall esque armpits inclusive!

strong limited edition !!